One object.
One curve.
The PEP identity is drawn from the product itself. The mark is the measured side profile of a real form — the same concave curve the soft tissue follows.
01 · The mark
Drawn from the form, not around it.
Taken from the side profile of Form 16: platform Ø 3.0 mm, rim 10.1 mm, height 6.7 mm. The flare follows r(z) = 1.5 + 3.55 · (z / h)^2.8 — one concave curve, a softly domed rim, a flat seat.
MARK
proportion rim : seat : height = 10.1 : 3.0 : 6.7
minimum size 16 px · 5 mm
clear space ½ mark height on every side
never stretched, outlined, rotated or recoloured outside the palette
03 · Colour
Dark rooms, porcelain, and one soft blush.
Ink and porcelain carry everything. PEP Blush — the colour of the forms on screen — is the only accent, used sparingly.
04 · Type
Three voices, one hierarchy.
05 · Imagery
One object. One light. Nothing else.
Every image is a render with a single PEP as the hero, generous empty space and one decisive light. No hands, no clinics, no clutter — the form does the talking.
07 · Voice
Calm, exact, measured.
Short sentences, real numbers, no superlatives.
“The rim is 10.13 mm, cut from a real first molar.”PEP is always the subject; people and places stay out of frame.
“One concave curve. Nothing else.”Describe what the form is shaped to do — never clinical outcomes it has not proven.
“Shaped to give the tissue the tooth’s own section.”


06 · Social
Ready for every feed.
Templates for Instagram, stories, LinkedIn and X, built on the same system: one poster, the mark, one sentence.